Villains make it easy to justify the end. A ‘bad guy’ does
dastardly deeds throughout the story culminating in a suitably proportionate
demise. Authors are happy, readers are
happy and everyone walks away from the story satisfied that there’s justice and
symmetry in the world.
But what happens when a good character dies? A character who
has supported the lead throughout the story and become someone the reader and
writer like very much, if not love? There’s shock, there’s sadness all round, often
tears and angry letters to the editor: in short, no one is happy.
So why do it then? Why spend the time to introduce a good
character in act one, only to kill him or her off in act three?
Let’s see, J.K Rowling apparently had slated Ron Weasley for
an early demise when she was writing Harry Potter, but decided the golden
triumvirate of friendship was more meaningful in the end and saved ‘the axe’
for Sirius Black and Dumbledore instead .
Han Solo, too, is rumored to have been on the chopping
block, but George Lucas reportedly decided he didn’t want to kill off any of
his characters. Yet Ben Kenobi and Yoda didn’t live to see the end of the
series in corporeal form. The best they could manage was as an ethereal
presence, guiding Luke from the great beyond with glittery spectral wisdom.
So, what’s going on with Sirius, Dumbledore, Ben and Yoda, which
make them ultimately expendable? Why did it become necessary to kill them off?
There’s the obvious shock value, of course, which heightens
the conflict in the story and creates a sense of realism and danger. But when
it comes to mentor characters, the wisdom-spouting ‘fatherly’ characters who’ve
been with the fledgling hero since page one—their death is almost as certain as
a ‘Red Shirt’ on a Star Trek away mission.
Main characters need to grow as the story progresses. They
need a chance to choose their own path, as it were, and if they are lucky
enough to begin their journey with the aid of a mentoring friendship, that
friendship has to be altered in some negative form in order for them to have
the opportunity to show the reader what they are truly made of. As bittersweet as it is, the main character
needs to experience sorrow and loss in order to gain the strength and depth of
a hero and take on the odious bad guy at the end.
I felt Harry’s pain and disbelief when Dumbledore died. My
jaw dropped in the theater when Ben Kenobi disappeared in a flutter of brown
cloak as Darth Vader’s lightsaber passed through him. And oh boy did I ever
want Harry and Luke to avenge their deaths. I couldn’t help but think at that point, no
matter what their twisted motivation might be for becoming evil, Voldemort and
Vader must die. And I was suitably satisfied at the end when the bad guys did die at the hand of the avenging hero (or in the case of Vader, becoming the hand of the avenging hero).
As a reader or a writer, what’s your favourite story
character you wished had never died? Whose untimely death turned your insides
into a knot and made you scream for revenge?





